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Thursday, July 27, 2017

Promoting Bands Part 11 (+ contest!)


Hey metalheads,

Today is a special day, since I started DutchMetalManiac exactly three years ago.

So, first of all, I want to thank some people for the past 3 years and, hopefully, for a long future: my love Robin for supporting me, current DutchMetalManiac writers Julia, Joost, Glenn, Alessandro, Martijn, Henric, Don, all former writers, all bands, labels, promoters, venue's we are working with and of course you, all the readers of DutchMetalManiac's content, thank you!

To celebrate the fact DutchMetalManiac exists three years we also have a contest for you about one of the bands in this part of Promoting Bands!

Missed the earlier parts of Promoting Bands? Or want to read them again? Here they are:

Part 1
Part 2
Part 3
Part 4
Part 5
Part 6
Part 7
Part 8
Part 9
Part 10

And, as always, don't hesitate to send us an email, Facebook or Twitter message when you want to be featured in Promoting Bands!

\m/

Tim van Velthuysen

1. Protokult


Hailing from Canada, folk metallers Protokult started in 2003 and already released two full-length's and two EP's. Their latest full-length, No Beer In Heaven, is already released since 2014. In 2016 their latest EP, The Dark Stumble Home was released and now they are preparing their third full-length. They have a Kickstarter campaign going for the upcoming full-length, so when you want to check it or support them, you can do so here. Below you can watch their video for Oy Kanada!



Protokult Official Website
Protokult Facebook
Protokult Twitter

2. FS Projekt


FS Projekt is the fantasy-metal project of Efes (a.k.a. FS) coming from Moscow, Russia. His music has something original, epic and powerful, which you can hear in Kredo Tvoyo (Thy Creed) below. In my opinion the term fantasy-metal fits the music of FS Projekt perfect, because the music has that magical, epic touch fantasy has. The fact he sings in Russian, which I can't understand, gives it an extra mysterious touch, which is very nice. If you like something more different than usual, give FS Projekt a chance, you will be surprised!



FS Projekt Official Website
FS Projekt Facebook
FS Projekt Twitter

3. Sorrows Path


The doom metallers from Sorrows Path already have a history since 1993, but are still doing their thing, in a very nice way! Resurrection (2006), The Rough Path Of Nihilism (2010) and Doom Philosophy (2014) are the three full-lengths these Greeks have released so far, but there is news! In september, their fourth album will be released. It's called Touching Infinity and will be released via Iron Shield Records. It will also feature Thiago Oliveira (Warrel Dane) as a guest guitarist. The cover of Touching Infinity, which is done by Nikos Marko (Rotting Christ) can be seen above. So, mark September 22 in your agendas! Below you can listen to Sorrows Path's Everything Can Change.



Sorrows Path Facebook

4. Rise Of The Wood


Five guys from Westland, The Netherlands are making their stoner metal since 2015 under the name of Rise Of The Wood. Their first, and only to date, music video for the track Hell Yeah (which you can see below) let you see, and hear, Rise Of The Wood knows how to play their music in a great way. So, even while they are relatively new, in my opinion, Rise Of The Wood is a band who can get big. On their Facebook page they said they were in studio, so be sure to follow Rise Of The Wood!



Rise Of The Wood Official Website
Rise Of The Wood Facebook

5. Protosequence (+ contest!)


From Edmonton, Canada here are the tech prog death metallers of Protosequence! They have already released their debut in 2016, which is called Schizophrene and on August 18th their follow-up EP, called Biophagous, will be released. Below you can already watch the lyric video for a track of Biophagous, it's called Parasitic.



As I already mentioned in the intro we have a contest to celebrate the fact DutchMetalManiac exists three years. So about that contest:

You can win Biophagous, the upcoming EP from Protosequence!

Take the following steps to enter for your chance to win:
1. Like DutchMetalManiac's Facebook page
2. Share this post via our Facebook (be sure to share it public, otherwise we can't see it)
3. Comment on this post on our Facebook to let us know you want to win!

The contest will close on August 3rd, good luck everybody! \m/

Protosequence Facebook
Protosequence Twitter

6. Madmans Esprit


Kyuho from South Korea was the sole member of Madmans Esprit for a long time, now, Kyuho has moved to Germany and Mario joined him on guitar. Madmans Esprit's music can be described as black metal, but they do give it their own special touch. To date, they have released one EP (I Just Want To Sex With You), one demo (self-titled) and one full-length (Nacht) and wow, what a music, what a voice! Kyuho's vocals, clean and screams, are very nice and really fitting the music. Very recommend to follow this band! Want to check it first? Below is their video for My Little Dark Paradise.



Madmans Esprit Official Website
Madmans Esprit Facebook

7. The Order Of Chaos


The Order Of Chaos, four men and their powerful frontwoman Amanda Kiernan from Canada had already released The Order Of Chaos (2009), Burn These Dreams (2011) and Sexwitch (EP, 2012) before releasing their latest effort to date in 2015, which is called Apocalypse Moon. You can stream Apocalypse Moon below and read a review I did about earlier here.



The Order Of Chaos Official Website
The Order Of Chaos Facebook

8. Cold Snap


These groove metallers from Croatia are doing a great job! I first heard them when I was reviewing their latest album to date, called World War 3, which you can read here. After Mea Culpa (2005), Empty Promises (2008) and Perfection (2010), World War 3 was released in 2014. I also interviewed their bass player Zoran 'Zoki' Ernoić here. Below you can check their video for Monster, a track of the World War 3 album.



Cold Snap Official Website
Cold Snap Facebook
Cold Snap Twitter

9.Zeal & Ardor


Combining slave music and black metal in a way which is nice to listen to, is that possible? It sure is! You aren't sure yet? Listen to Zeal & Ardor, you will be surprised about their music. Below you can listen to their new album Devil Is Fine, which is released on March 1st. This is a combination of music styles which are very different compared to each other but Zeal & Ardor mixed it perfectly in their music.



Zeal & Ardor Official Website
Zeal & Ardor Facebook

10. Moker


I already mentioned these death metallers from Belgium in an earlier part of Promoting Bands (here) a while ago, but they're back! After Translating The Pain (2007), Total Domination (2009) and Satan's Den (2014) Moker will release their 4th full-length, Home Invader, later this year. Below you can already watch their video of one of the tracks of Home Invader, Held Hostage.



Moker Facebook

Wednesday, July 26, 2017

Interview: Bloodgod


On July 22nd Big Ass Metal Fest took place in dB´s, Utrecht. Bloodgod opened the evening, followed by Illusionless and Altar. After Bloodgod's gig, DutchMetalManiac's Tim van Velthuysen interviewed their drummer Johnny and bass player/vocalist Frank. Photos of Bloodgod's gig are made by Lisa Raisa Ferrari.

Hey, how are you?

Frank: We are slightly tired, but happy. It was a nice gig, had some fun, saw the audience enjoy themselves, which is a good thing. Now, we will enjoy heavy metal beer and see the legendary Altar.

First of all, for people not knowing Bloodgod yet, how would you describe your music and can you tell us a bit of the history of Bloodgod so far?

Johnny: We started as a side project from another band around 2011, then we had a lot of changes in the lineup. After a while we decided to start all over again, new songs, the only things we kept were basically the band name and band logo. Frank joined us in 2013, finally we got a basic lineup again. So we started writing new songs, recorded a demo and recently we released another one. Five brand new tracks!

About our style musically, since there is a lot of grunting involved, I would say death metal, but the riffs are quite melodic. There are also some influences from thrash metal, Pantera-kind of groove and a bit of black.

Frank: The basics are old school death metal, with a lot of influences of the Pantera-style and a little bit of black metal, but it's not really a static style.


Frank, you are also in another band.

Frank: It's even worse, I'm in three bands. I am bassist/vocalist in a Slayer tribute band, Player, so I am the Tom Araya of the band. I am also in Disquiet, bassist/backing vocalist, a melodic death/thrash metal formation of The Netherlands and Bloodgod.

Johnny: And? Your 4th band?

Frank: What? Oh, that! Since I was young, I played the tuba and still every year when it's Carnival in the south, I join them and I play the tuba the entire week in Brabant. It's my guilty pleasure and secret band.


And you Johnny?

Johnny: Well, I used to be in another band, but now it's only Bloodgod.

Frank: You should name it, it's legendary!

Johnny: I was drummer in Nuestros Derechos, delivering thrash metal with a hardcore punk attitude. We played for nearly ten years all over the country and abroad. After Nuestros Derechos broke up, Bloodgod transformed from a side project into my main band. I also used to have a small neo-crust project named Agents of Entropy, but we only recorded 2 songs and then we broke up again, so it's hardly even worth mentioning.

Frank: And Daan (guitars/vocals) is currently in a Rotterdam-based deathcore band in which he is the drummer.


So, I will ask the following question to you, Frank. How do you combine those bands?

Frank: Well, you can sit at home in the evening and watch stupid television programs or you can go into the band practice room, have a good time with your friends, playing the music you love. So, three bands, Player, the Slayer tribute band is not weekly, it's more project-style. So two times a week I am here in Utrecht practicing with my band, the other days I am at home with my girlfriend and that way it goes pretty fine. Sometimes it's a bit busy in the weekends, especially when gigs combine, that can be a challenge. I love playing music, I love metal.

Johnny: And you love free beers.

Frank: And a lot of free beers. It's all pretty good, it sounds harder than it is.

In March you released your second release, Catharsis. How are the press and audiences reacting so far?

Johnny: The responses have been very positive so far.

Frank: Yeah, only positive ones. With the demo it was either positive or like, I don't know what to do with this music, but with this one is all pretty positive.

Johnny: It's another step forwards, we recorded more songs, we thought more about the lyrics, we entered the studio better prepared, we took more time to record it, there was a very decent mixing, it was mastered by Jacob Hansen, which is a quite known Grammy-nominated master engineer. He’s done a ton of bands including Anvil, Evergrey, Amaranthe, Destruction, Volbeat, Mercenary, Pestilence, and Invocator among others.

How was working with him?

Frank: Well, the emailing went pretty good! We just had email contact with him but he was quick on the uptake of our wishes regarding the sound we were looking for.

Johnny: It's one of the benefits of modern times, you can use the internet to hook up with someone who has the right capacities and the right knowledge.

Frank: We sent him the songs, got a master back, gave some feedback, and Jacob adjusted accordingly to our wishes. It was actually very good.

Johnny: There was a small hiccup in the mix of one of the tracks that was painfully exposed after the initial master version. So we sent Jacob a new, corrected mix of that particular song. Meanwhile he had upgraded some of his mastering software. When Jacob wanted to finish our master, he had to roll back the version. But all credits to Jacob; he never complained, took the time and did a great job.


When you compare Catharsis to your first EP, released in 2013, Pseudologia Phantastica, what do you hear?

Frank: A simpler album title, haha. The songs are more mature, the structure as well as the lyrics. The combination of spending more time on the recording and mixing, and doing an external mastering also made it a more mature album.

Johnny: We grown on all levels, even on the artwork.

Frank: It's simply the next step in the evolution of Bloodgod.

You just mentioned it, the artwork, it's based on the song 't Schrickelik Tempeest. It's created by Lisa Röttjers, how did you met and what made her the right person for this job?

Johnny: Well, she is our guitarist's girlfriend and she's very creative. She was eager to make something, she was quite inspired by the song. 't Schrickelik Tempeest can be translated as the horrible tempest. Tempest is another word for storm and it's all about the horrible storm that destroyed our cathedral, de Dom. In Utrecht you have this exposition called DOMunder and you can enter the ancient catacombs and get a tour. What you will see there is 2000 years of history, basically from the time the Romans built the castellum Trajectum, trough the Dark Ages to the collapse of the cathedral in 1674. I really like history and I got quite inspired by it. It's amazing that a storm destroyed a church, it was at the time when people were very religious, so they tried to make sense of the world from a religious point of view. So, they probably thought it was either a sign of God or a mark of the beast. I tried to imagine how that must have felt. Basically that's the story behind the song, with the artwork we tried to imagine how this tempest got its claws on the cathedral.

What does the city of Utrecht mean for you?

Frank: I am not born here, but I was living nearby for a long time. When I turned 19, I bought a house here in Utrecht, got a lot of friends here, a lot of people in the metal scene I know. The cool thing about Utrecht is it's a big city, but it feels like a small village. When you go to Amsterdam, everyone will speak English to you, a lot of tourists there. Utrecht is big but intimate at the same time. Its center and the canals are pretty awesome. I also appreciate the metal scene here getting back on its feet. dB's is a big part of that, with, for example, Big Ass Metal Fest. Metal is back again, especially in Utrecht.

Johnny: I totally agree, it's a city but with the atmosphere of a village. I can go from my home to another place and almost every time I see at least one familiar face.


In your press release you said that your style of music is not new or unique, but a classic dish that's cooked with skills and love can still make your mouth water, right? With that in mind, what's your opinion on the endless subgenring in metal?

Johnny: Well, you got these metal memes on internet and one says all metalheads are united by metal but divided by subgenres. There is an endless arguing. The benefit of a genre is that you will get some idea of what to expect, but if you get 100% of what you were expecting, it becomes boring. Then there are no surprises at all. The music you will love most contains enough elements you're familiar with, but also needs to have some surprise elements.

Frank: I definitely like all the subgenres, in the 80's bands like Anthrax started adding rap to their metal. Back then it was pretty unique. Another band, Anaal Nathrakh, which is playing here in August, it's death/thrash/industrial/hardcore/whatever, but that's the cool thing. It's very creative, the vibe is still the same, the metal is there, but it's with very much creativity. However I hate all the naming of it, I remember buying a CD from Rhapsody when I was young, the label on it said "Hollywood Symphonic Epic Melodic Metal", it doesn't make sense. I like all the creativity but the naming really sucks. There is a band in America, Allegaeon, they had a pretty cool song about it, in the videoclip they had the wheel of subgenres, that song actually went from black metal to thrash to melodic 80's hair metal. It doesn't matter what subgenre it is, as long as it is awesome and you want to bang your head, it's nice.

Johnny: There are only two genres of music: either it's good or it's bad.

The last track on Catharsis, Satan's Smile, is about crimes committed under the cover of religion and religion spreading dogmas of hatred, which is of course a much-discussed topic nowadays. What do you think about the way people react on those thing happening recently?

Johnny: This is a very hard question, it's a complex issue, too complex for a good, short answer.

Frank: You can discuss the entire evening about this, it's too complex.

On another track, the title track, you sing about catharsis using metal. One sentence of it is "Raise your horns and scream along, forget about all daily shit", which sums it up perfectly. Recently there were also some negative happenings in the music world. For example the concert shooting in Paris, the recent happening in Manchester, Rock Am Ring being evacuated. It seems like forgetting about all daily shit by going to a concert or festival is getting more difficult by these recent events and the security measures that followed. What's your opinion on this?

Johnny: About this I have a very clear opinion. Going to a concert now is safer than ever compared to, for example, the 70's. Back then terror attacks in Europe took more lives than the recent attacks we’ve seen. It may not feel that way, but statistics will proof it. You had the IRA, RAF, those guys in Italy, the ETA in Spain, the RARA in The Netherlands, Belgium. Basically all over Europe. So there were a number of terror groups, some of which the perpetrators never got caught. Now, of course, it's very severe many people died in Paris and Manchester, it left me with a huge impression, but when you look at it rationally you still can go very well to a concert and have nothing to worry about.


What do you think of the Dutch metal scene?

Frank: It's getting back on its feet. It was pretty huge in the 90's, had a small dip, but now it's getting back. Stick your fingers on the government stopping all the subsidizing, that's really hard. The bands are really good these days, the metal scene is getting back.

Johnny: You can choose from a long list of things to do when you like to spend an evening out. There is plenty to do. In this respect, competition between different music scenes, as well as within the metal scene, has increased.

I really believe we all make the scene together. Playing as a band is just a small aspect, but visiting shows, running a zine, writing reviews, organizing shows, doing light or audio engineering, whatever you help with, we all build it together. I really believe in this DIY concept as Doing It Together.

Frank: Doing It Together as DIY, it would be DIT, you just made up something new.

There are a lot of metal gigs you can choose to go to, which is awesome, because there is a lot of choice, but when you have to play yourself, it kind of sucks, because there is a lot of competition. And of course, the festivals are getting back, Dynamo Metal Fest, Into The Grave, you name ‘em.

You just played here on Big Ass Metal Fest, how went your show?

Frank: Pretty well. We were the first band of the evening but there was ample audience and they seemed to enjoy themselves, so it was pretty good.

Johnny: I don’t necessarily like it when bands play technically perfect, but I really like to see people putting their heart and soul in it on stage, and not just going through the motions. We always try to give everything, I hope it showed off.

I think it sure did.

Frank: I remember seeing Death on Dynamo, still a legendary band but it was such a static performance. A friend of mine, who loves Death, became so bored he went to The Misfits who played at the same time and gave an awesome show. Of course you want to play perfectly, but it's impossible if you want to play a good show.

Johnny: In the end it's all entertainment, the audience decides. It's not for us to decide how well we did. If you’ve enjoyed yourself, we did a good job.

I sure did. Can we expect some more Bloodgod shows soon?

Johnny: I think the next one will be at De Koornbeurs in Delft on August 21, so come see us!

Any other plans you can already tell us about?

Johnny: To tell you the truth we take it a bit slow, we are like a diesel. We don't sprint. We aim to improve with small steps and getting better over the years in our own tempo.

Frank: Pretty much the usual: play more gigs, write and record new songs, etc. But no surprises, huge world tours or something.

Thanks for your answers! Is there anything you want to say to DutchMetalManiac's readers?

Johnny: Thank you for coming over, seeing us, for taking the time to interview us. Keep up the good work with DutchMetalManiac!


Bloodgod Official Website
Bloodgod Facebook
Bloodgod Twitter

Tuesday, July 25, 2017

Review: Deliverance - CHRST


Deliverance is a French sludge/black metal band, formed in 2012 by guitarist Etiënne Sarthou and vocalist Pierre Duneau. The current line-up is completed by bassist Sacha Février and drummer Fred Quota, while guitarist Julien Hekking helps them out as a live guitarist. The band’s name comes from the eponymous 1972 cult movie which in turn was based on James Dickey’s also eponymous novel. They were quick to release an EP in 2013 but despite the good critics that remained their sole feat of arms up until this year. Apparently they took their time writing, composing and recording their first full-length called ‘CHRST’, which was then mastered by heavy weight Magnus Lindberg (Cult Of Luna, Salvation and many more). In theory this should mean it has the makings of an awesome release, the question is whether theory indeed makes practice in this case. The answer to that question would have to be ‘yes’ in my opinion. Why? Well, if you have ever seen the aforementioned movie, or even read the book, you probably have a good indication of what kind of music you should be about to encounter when playing this release: Compelling, disturbing, vicious and at times downright scary. These four components combined form the dominating atmospheric backbone of both movie and book which the guys have tried to transfer this into their music. And as far as I’m concerned they succeeded, unleashing over 45 minutes of musical terror, in the good sense of the word of course, on the world.

There are many bands that combine sludge and black metal, but in my opinion the mix of sludge and black metal, supplemented with components from death metal and post rock that Deliverance plays turns out particularly good. Their type of black metal is not the filth riddled, obscure type we know from the underground bands, but a more accessible yet still sharp and icy sounding type. Of course the fact these guys definitely know how to play their respective instruments and use their vocal chords is a huge factor, but to me there’s more to this release than just that. Right from the start you are submerged in a cold, dark, almost desolate atmosphere, involuntarily influencing your state of mind. To achieve this they could not have chosen a better opener than ‘Hung be the heavens with black’, in which the slow, heavy sludge suddenly merges into a violent, more black metal oriented rhythm. Pierre’s mean, cold, insane growling vocals are a huge contributor to the atmosphere of the songs, but, as always, in the end it’s the combination of both music and vocals that determines the intensity of the summoned atmosphere and the quality of the tunes. And of both there is plenty to be found on ‘CHRST’. The 10-minute spanning successor ‘Out of the saddening blank’ with its ominously lingering intro is certainly not inferior to the opener, but to be honest the same can be said from every single song. Each individual song is more or less composed following the same blueprint: Parts that emphasize either sludge or black metal are seamlessly merged from the one into the other and combined with piercing, bone-crunching vocals, always maintaining the cold, dark feeling of desolation. The variation in duration, speed and construction of the various parts keeps things interesting without losing coherence in the overall composition, making this 45-minute journey way too short.

Admittedly, Deliverance’s work on ’CHRST’ might be considered an acquired taste by many, simply because it’s not exactly easy listening. It’s complexity and the cold, dark atmosphere it summons definitely needs quite some getting used to for the unsuspecting listener, but fans of the genre will have a blast with this. The compelling atmosphere and the extent to which it continues to haunt you throughout the entirety of this release, is of equal high quality as the tunes themselves, as is the outstanding production. Unlike most releases I get to hear this time I really have no favorite song, but if I was forced to pick one that would best summarize this album I’d actually pick two. ‘A bone shall not be broken’ for its great black metal-ish style and ‘I say Christ’ as its sludgy counterpart. Long story short: An impressive release, definitely recommended by yours truly.

Written by Henric van Essen

Deliverance Facebook

Monday, July 24, 2017

Review: Stormhaven - Exodus


Coming together in 2010, the French progressive death metallers under the name Stormhaven took a series of routes to finalizing their final lineup with the group of friends eventually getting their complete form ready for the international stage. Following in the footsteps of their previous work, the groups’ full-length debut was self-released on May 19, 2017.

For the most part, the music displayed here manages to effectively straddle between each genre featured here as this comes together rather well. Best exemplified by the three-part title track, this here is really built around the strong and exceptionally complex guitar-work throughout here, never going into technical noodling but staying firmly in truly progressive realms. These hold this one up into far loftier and dignified realms than usual in that the riffing takes on the challenging rhythms and complex time-shifts associated with both realms but instead weaves both styles together into sections required technical thrashing alongside the more melodic interludes here given the dexterous keyboard work alongside the more dynamic patterns which create a startling effect. The full-on mixture of clean crooning and deep growls gives this one another angle to work on, especially on the epic closer “Eclipse” which manages to bring those elements together in quite a thrilling manner with the progressive tendencies and strong instrumentation coming together exceptionally well. This one does tend to fall in only one manner, though, where it’s nearly impossible to tell the tracks apart from each other. Since everything is these long, extended pieces about the continuous need to throw everything into the tracks and it just comes off really overlong and just more endless more than anything as the whole album comes across with way too many sections than what it really needs to tell the story here. Otherwise, there’s not a whole lot really wrong here.

Without a whole lot of flaws here as the vast majority of the positives wholly overwhelm the few flaws to be found in the bloated writing, this one stands out rather nicely within the progressive death metal genre and is wholly recommended to fans of that genre or just technically-proficient death metal in general. 8.5/10

Written by Don Anelli

Stormhaven Facebook

Sunday, July 23, 2017

Interview: Ghusa


On May 5th, French death metallers Ghusa released their new album Öswedeme. DutchMetalManiac's Don Anelli already reviewed it here and he also had some questions for Ghusa. Read his interview with Ghusa vocalist L. Chuck D. below!

Well, first off, let’s talk about the new album. Are you pleased with its reaction so far?

I confirm that we are very satisfied with the welcome new album. To this day I have never read anything negative. This opus satisfies me completely and we are very happy to see that this opinion is divided.

Do you have a favorite track off the album? What makes it special for you?

We are five in the band and I think that each one of us get his favorite track. I really like Flying in a Dark Dream. Its story is not usual because at the beginning, it was three different tracks. I took every rhythm and I made it like you can listen to it now. Its atmosphere fits perfectly to my state of mind at the time. I may not give you the same answer in a few months. I love this album as a whole, and it makes me good.

Why did you decide to work with producer Jipouille de St Loup? Did he bring out anything special to the material during the recording?

We already worked for the first time with Jipouille on our precedent production. We really loved his way to do and the result. We really wanted to record a whole album with him. He is not a simple manipulator of button, he also brings his vision on the artistic side. For example, he did insist I kept a same lead voice all the recording long. This way we can focus. And we all love the techniques he uses. All is natural and that was what we were looking for.

This was also recorded at his studio. Why did you decide it was the right place to record it there?

Nowadays too much bands try to make a technical perfect album. That can be wise for some styles but not for old school death metal. Jipouille has the ability to immerse the listener in the middle of the group. We have the impression that comes out of his house is alive and not sterilized by programming of battery or effects unrelated to music. Just listen to what he did with Treponem Pal, it’s just exceptional.

You started at the same time as the Swedish death metal bands also started. Was there any contact between each other back then to help the scene grow?

You’re right, we began at the same time but in France. At these days, there was not yet death metal’s way of life. Nowadays, things have changed. For example we share a show in Europe with Interment and Necrowretch in October. This is proof that there is a mutual. I’m very happy and proud to travel with them.

Being from France instead of Sweden, how was the specific scene for death metal at the time?

France has always got very good bands in this style. We have groups who are now a global recognition, but others who have less exposure should also. One of my favorite French band is Massacra, and they had to leave France to get a well-deserved recognition in their own country. Then there is this feature which has done that everyone is helped each other out in the 1990s. Unfortunately this is not more the case today. There are only few people who reach out to each other, there's music that often is quality.

What makes the timing perfect for the band to finally release material today?

To me, the best moment is when you feel ready. The public has changed and you can’t stay two years without giving some new album because you’re fastly forgotten. But there is no question we got out a material that would not live up to our requirements. We will continue to offer regularly records which we will be totally satisfied, and that whatever delays.

Are you surprised at how the scene for this brand of death metal has grown since you first started?

What is surprising is that how death metal can also be a fashion victim. All of this is cyclical. But I’m very happy to see a proliferation of bands. This allows me to always listen to my favorite style of music while discovering new groups. There is not as old training found the quality. I take a lot of pleasure to discover again and again. I hope to still enjoy a few years before the fashion came back to other styles. Only the strongest will survive every time. Will we still be here then?

What plans do you have to promote the album as far as tours or videos?

We did a tour in Eastern Europe and we will remake concerts and a tour before the end of the year. However I had an accident of motorbike three weeks ago and I don't know when I can go back on stage. We had also planned to shoot a video this summer, but all of this is questioned because my health does not allow me to participate in this event.

Hope you get better soon! 

So, we’ll end this on a fun note. If you could travel back in time to give your younger self career advice, what would it be?

I will think to myself only one thing : « Do not change of band! »

Do you wish to say something to our readers?

I wanted to thank everyone who sent a message of support in recent weeks after my accident. I give you appointment on stage and remember that God hates us all.

Ghusa Facebook

Friday, July 21, 2017

Live review: Dynamo Metalfest 2017 at IJssportcentrum, Eindhoven, July 15th 2017


Festival season is upon us fellow metalheads. It was my pleasure to go to Dynamo Metalfest, Eindhoven this year with a killer line-up consisting of;

White Boy Wasted
Vuur
Toxik
Prong
Entombed A.D
Exodus
Devin Townsend Project
Testament
Gojira

I must honestly say that Dynamo Metalfest was a last minute decision between me and a friend of mine because we are both HUGE fans of Gojira and it was just too cheap to not go to the festival. I am also into Exodus and Devin Townsend for that matter so I had a lot of reasons to go. So let's summarizing the bands in order as listed above.

We were a little late to the party so we actually missed White Boy Wasted. My apologies dudes, I'm sure you had great fun on the stage with such a big crowd. Halfway through Vuur’s set me and my friend came marching into the building ready for some metal. Vuur had some pretty good riffs and the guitar player really handled his instrument well. I just kept thinking that it needed a male vocalist. I’m a fan of Anneke van Giersbergen’s voice but I just think it doesn’t fit this style of metal nicely.

Toxik was the first thrash metal band of the day. Really coincidental a friend of mine showed me the band just a week before this show so I was kind of excited to see them! They had a lot of people confused with their proggy brand of thrash. People didn’t really know whether a riff was headbangable or not. No offence to the band of course, I really like their music and their bass player is insane! The speed in which he accurately plays riffs is mind boggling. The singer had a really great voice and overall it was a great warm up for the bands to come.

After Toxik came Prong, which was the biggest surprise for me that day. I had honestly never listened to Prong before. To most people that is a weird statement because Prong is a pretty well known, established band in the metal scene for years and years but I just never took the time to listen. I really liked the riff-driven anger in their music which was also very groovy and got a lot of people headbanging.

One band I totally forgot about was Entombed A.D. They immediately showed me that they are a band that should not be forgotten. With their signature death ‘n roll sound they have created something unique. I’m not sure Dynamo Metalfest was the right audience for them because I didn't see too many people enjoying themselves during the show. Probably because of the fairly “old” audience.

After Entombed A.D came Exodus and boy they ripped. You could notice the spark in singer Steve ‘Zetro’ Souza’s eyes from miles away. The Exodus boys were really enjoying the fact they were returning to Eindhoven for the Dynamo experience. The set was pretty much made up with old school songs for the older fans that were there 16 years ago. The only thing that bothers me a little is that I’ve seen Exodus twice now but still haven’t seen them with original guitar player, Gary Holt. I think he should make more time for his own band rather than “sinking ship” Slayer.

So, now… The Devin Townsend Project. This was actually the show I was looking forward to the most. I have liked his music for years now and he is a very gifted musician. Between the songs he can crack you up as well! The funny thing is that he takes his music very lightly although it deals with some pretty serious topics. I was pretty much star struck the whole time. There is no other human being with a voice like him. His operatic vocals are so strong and to top it off with some inhuman screams is just the pinnacle of metal as a whole. Best show of the day for sure. I’m sorry Gojira. Hevy Devy took the crown.

After The show we had to wait for an awkwardly long time. We saw the stage being prepared for Testament and it looked awesome! They were probably the only band next to Gojira that made an effort to make the stage look like they were in for serious business. Unfortunately due to technical problems they couldn’t perform their whole set. Also due to the strict 23:00 curfew they CHOSE to shorten their set to have Gojira do their whole set and still finish on time for the curfew. This, people, is professionalism. I admire Testament for making that decision because it is a hard one to make. I’m sure they will make up for it on a European tour sometime this or next year.

Headliner of the day, the most popular metal band on the planet right now. And for a damn good reason too. When I discovered Gojira during the time they released “From Mars to Sirius” I knew there was something special about this band. Some serious Frenchmen that make brutally devastating death metal with a cause, to save the planet. This approach to metal earned them the tag of environmetal. Which I think is hilarious. Their headlining show was so impressive that I’ve seen every band member of the previous shows next to the stage admiring the mighty presence of Gojira on stage. Bone-splintering set with classics such as Backbone and The Heaviest Matter Of The Universe made for a diverse Gojira experience. Out of the four times I’ve seen them now, this was by far the most impressive one. Also props to the sound and the light guy. Great jobs, both of you.

After a great day of amazing metal I was once again reminded why I listen to this style of music. It just makes you feel so powerful. You don’t need drugs to get a great experience with metal. That’s what makes it great for me. Thanks for a great line-up Dynamo!

Written by Joost van der Leij

You can also check two parts of Promoting Bands in which Tim van Velthuysen wrote about Vuur here and here, as well as an interview with Anneke van Giersbergen by Glenn van der Heijden here.

A review of Entombed A.D.'s Dead Dawn written by Nino Milillo can be read here.

Two live reviews about Exodus can be checked here (also written by Joost van der Leij) and here (written by Nino Milillo)

Dynamo Metal Fest Official Website
Dynamo Metal Fest Facebook
Dynamo Metal Fest Twitter
White Boy Wasted Facebook
Vuur Official Website
Vuur Facebook
Vuur Twitter
Toxik Facebook
Prong Official Website
Prong Facebook
Prong Twitter
Entombed A.D. Facebook
Exodus Official Website
Exodus Facebook
Exodus Twitter
Devin Townsend Official Website
Devin Townsend Facebook
Devin Townsend Twitter
Testament Official Website
Testament Facebook
Testament Twitter
Gojira Official Website
Gojira Facebook
Gojira Twitter

Wednesday, July 19, 2017

Review: Death's Cold Wind - Subyagador - In Goat We Trust


Founded back in 2001, Ecuadorian death metallers Death’s Cold Wind have been toiling around ever since trying to spread their vile sound to the masses as the outpouring of demos and split releases offered in the interim has honed them into a true South American killing unit. Finally able to offer their first professional release, the group’s full-length debut was originally released August 23, 2014 on La Medula Espinal with a June 2016 reissue on Old Temple.

Once this one gets going, it’s quite apparent here that this one dwells quite heavily on the typical genre scene as the influences come through quite clearly. Efforts like “My Hope (War.Ma.666.Dom),” “Gods of Depravity” and “Total Holocaust” showcase the bands’ simplistic and furious charge, offering this one a rather strong and impactful series of swirling riff-work that shifts along plenty of frantic thrashing segments where the tempos feature plenty of variety. The ability to go from a feverish mid-tempo chugging to blazing full-throttle thrashing gives this a diversity to its attack that allows this one to switch through a multitude of approaches which makes for a far more engaging battle tactic. As this one tends to remain engaged in that approach for the most part on the album, it’s strikingly enjoyable and proficient at what it does although it tends to offer forth a very noticeable detail to hold it back. Due to the album containing simply retreats on the same dynamic formula throughout here, it’s a one-note approach that tends to feature a rather dynamic and intriguing tactic here of blasting through the raging speedsters augmented with mid-tempo work yet that’s really all that occurs throughout here. Normally, tracks like “Necro Sexual Averrations” and “Death Terror” would be highlights of the album, but they come across as more of the same here especially with the album being as overlong as it is. There’s little need for it to feature as much as it does here, especially being a debut feature which really highlights this issue even more. However, it’s not nearly as detrimental as it could be and remains a highly enjoyable slice of grim and ravenous death metal.

Although it does have a bit too much here in terms of material that doesn’t need to be there since it exposes the bands’ shortcomings relatively easily, the fact that there’s still plenty of ravenous work to be had here gives this enough appeal to those that appreciate this grimy form of old-school death metal. 8/10

Written by Don Anelli

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